Go behind the scenes of Netflix TV shows and movies, see what's coming soon and watch bonus videos on Tudum.com. A struggling comedian grapples with her past and present trauma after the troubled teen she used to care for suddenly goes missing. Watch trailers & learn more.

Aug 8, 2024 · Rachel Sennott leads the cast as Sam Powell, with Olga Petsa, Sabrina Jalees, Caleb Hearon, Ennis Esmer, Dani Kind, and Jason Jones, who are also starring.

Jan 21, 2025 · Gabriel LaBelle Rachel Sennott Cory Michael Smith Ella Hunt Dylan O'Brien Emily Fairn Matt Wood Lamorne Morris Kim Matula Finn Wolfhard Nicholas Braun Cooper Hoffman Andrew Barth Feldman Nicholas Podany Kaia Gerber Robert Wuhl Tommy Dewey Catherine Curtin Jon Batiste Willem Dafoe Matthew Rhys J.K. Simmons Brad Garrett

Sep 11, 2024 · Rachel Sennott is known mainly for her comic work in movies like Bodies Bodies Bodies and the hilarious Bottoms, which she co-wrote. But in I Used to Be Funny, she takes on a more dramatic role...

I Used to Be Funny: Directed by Ally Pankiw. With Rachel Sennott, Olga Petsa, Jason Jones, Sabrina Jalees. Sam, a stand-up comedian struggling with PTSD, weighs whether or not to join the search for a missing teenage girl she used to nanny.

Rachel Sennott's latest dramedy "I Used to Be Funny," written and directed by Ally Pankiw, is finally available to watch in the US. Check out how, and when it is coming to streaming.

Go behind the scenes of Netflix TV shows and movies, see what's coming soon and watch bonus videos on Tudum.com. An aimless college student finds herself trapped at a shiva, where she bumps into her ex-girlfriend, then her current lover — …

See Rachel Sennott full list of movies and tv shows from their career. Find where to watch Rachel Sennott's latest movies and tv shows.

Jun 26, 2024 · Rachel Sennott may be the internet’s biggest comedy crush and have plenty of experience as a stand-up, TV performer, and all-around scene-stealer, but she’s appeared in a total of five feature...

Sep 5, 2024 · Rachel Sennott steps away from her usual energetic typecasts to deliver a more reserved, somber performance in I Used to Be Funny.