This battle of wills takes place on a sunny morning at the Fox Studios production complex in Sydney. The cafe at which we’re waiting is already filling with early lunchers — extras, technical staff — ...

The music is always the foremost consideration in an opera, says veteran director Neil Armfield, even when the words are by William Shakespeare. Ah, but the music for A Midsummer Night’s Dream is by ...

Creative home for Neil Armfield is a former tomato sauce factory in Sydney’s Surry Hills. It’s here Australia’s finest director goes, as Shakespeare’s Hamlet says, “to sleep, perchance to dream.” Here ...

"Nothing's abnormal when abnormal has become the new normal," declares Geoffrey Rush, a short distance into his astonishing performance as the dying monarch in "Exit the King." Rush and director Neil ...

Hampstead Theatre is delighted to announce that Mark Gatiss will play King Charles 1 in the premiere of 55 Days, Howard Brenton's new play about the events leading up to the only military coup in ...

William Peterson does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond ...

Candy (2006) is a romantic drama movie directed by Neil Armfield. It is based on the novel titled Candy: A Novel of Love and Addiction written by Luke Davies. The film follows a poet who falls in love ...

The Sydney-based duo, who worked together for 10 years at the city’s Belvoir St Theatre until 2006 and who both count the Adelaide Festival as a strong influence, will take over from David Sefton for ...

The West End transfer of the Hampstead’s production of The Judas Kiss opened at the Duke of York’s Theatre last night (22 January 2013). Neil Armfield’s notably well drilled and superbly, sensitively ...

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. "Neither a borrower nor a lender be," "This above all, to thine own self be true," ...

Something is terribly wrong at Bly House — but things couldn't be righter with Houston Grand Opera's adroitly realized The Turn of the Screw. HGO's mounting of Benjamin Britten's unusual suspense ...